thinking that for beethoven’s requiem
from the solid
structure
from day to night
(thinking that)
I risked everything
as I slept
clearly obsessing
I missed the
obvious
the memory
lost in a jar of
buttons
(and)
looked for the
unattached
seeds
(and) birth
the road suffered
from ditches
babies in still
moons
never moved our
hours
fixing the
machinery
that was an
exciting time
for
misunderstanding
denial because we
threw away
lost reasons
the last self
protects
a last minute
driving down a busy
road
towards the
calmness
of wheat fields
by the lawns with
wild trees
for beethoven’s
opening requiem
medusa repeats herself
she repaired what I
wrought
repeating herself
repeating her hands
so many of them
the sun got more
sarcastic
throwing itself
around
you have the most
grotesque selves
apart from many
others
after becoming
liquid
tongues i became
all of them
i was ignored until
the early morning
i wanted to wear
red lipstick
i wanted to mouth
my words
i wanted to have
ideas with numbers
it controlled
something--knowing the ideas
in long straight
lines only getting longer
it was a hectic
undertaking
among the red and
orange balloons
counting flowers
perfect hybrids
i was a bumblebee
cute as reality
i made the stars
pressed into the ceiling
i took a bus to
everywhere
it may have been in
a desert with windy kisses
having felt the
edges of touching i stood
in the other room
the walls glorifying the pain
embolding consent
among the monsters
in the tapestry
where i was trapped
aching dirt
I made myself up
Because I was an
orphan
Becoming even less
Becoming absolute
emptiness
Filling despair the
rivers return loss
Oceans balloon into
broken horizons
Opening and closing
the doors to prison
We are un-useable
and unstable ovals
Immersed in no such
greatness
I never forgot and
I never remembered
Comfort was a
reason
I walked away and
left behind a fragrance
I was stuck in a
small town
Carrying my
sacrifice without excuses
Giving you my left
foot
And my spine that
left me crooked
Buried in the
aching dirt
I also got to die
Mary Kasimor
who has been writing poetry for many years, considers her work experimental.
Her recent poetry collections are The Landfill Dancers (BlazeVox
Books 2014), Saint Pink (Moria Books 2015), The Prometheus
Collage (Locofo Press 2017), and Nature Store (Dancing
Girl Press 2017). Her poetry has been published in many journals, including
Word For/Word, Touch the Donkey, Posit, Human Repair Kit, Arteidolia
(collaboration with Susan Lewis), and Otoliths.
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